Sexuality is a place where people are very vulnerable and can be experiencing and embodying very raw forces that they don't really understand and there's a question of how much you should control and how much you should play with those and what those forces really are, how you really feel about them. That's perennial.

When you're writing a story, you're creating something of an artificial ending.

The only way to know whats possible is to venture past impossible.

I think the closest thing I can come to defining what that vital thing is for me - is that there's a sort of soul-quality in writing, if it's any good. It has a spirit or an energy to it that is very integral to who the writer is on a deep level. It's almost a cellular thing. It takes place in the cells of the writing, and it is what makes it alive or not.

The art of integrating the ego and the impulse for empathy in a dynamic call and response.

It's bizarre: I've tried to understand why people are into Trump. I really don't think I can. I don't think it's as simple as just racism. I do think there's a fear that white people have, even if they don't have a vicious desire to do harm to black people, they fear losing their top spot.

I think people try to make the most of their time on earth and also to fix their time on earth. They try to fix external verities, things that are true for all time, ideas that are true for all time: Rome will last forever! America will last forever! Beauty, as defined by the fashion industry, is one of those things—this is beautiful. This will always be beautiful—and hold it in a way that has some sense of permanence about it, and absoluteness. And yet it’s not.