I think any big success is paralyzing. I have observed it in others.

One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.

It's hard when your first thing is something everyone loves. Actually, that never happened to me. I was lucky that my first film, which is actually the best reviewed of all my films, didn't have that success.

Growing up, I was lucky that my dad was never out of work. I was very fortunate in one way: that I never experienced real hardship, because my dad is this real dynamo. He was always working, so I had a sense of the ups and downs and endless disappointments, but at the same time I was never worried that we couldn't eat or pay the bills.

I remember being really interested in the sad parts of Los Angeles, of which there are many, and knowing we weren't up in the citadel on the hill, but we also weren't on the bottom. I was very interested in the poetry of failure as a child.

I don't think there is any one route to directing.... Other than that I think you just have to think 'By any means possible' and take any job you can that will get you experience. I also did a lot for free. I got paid virtually nothing for my first film, but it changed my life.

Someone can be mentally ill, but if they are young and beautiful and their life is going well, people don't notice because at that point the cracks are almost imperceptible.