My films have elements of genre in them, which prevents them from being purely art films.
Frankly, you're always up and down. You're successful and then you're not.
She [Bettie Page] was a traumatized person, but she did have an active sex life.
I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.
I think any big success is paralyzing. I have observed it in others.
I see that women still have self-doubt, and at the same time I feel like I see all these fantastic young women, and they all have ambition and are so focused on their futures. I don't think that's an anomaly anymore.