The utmost the American novelist can hope for, if he hopes at all to see his work included in the literature of his time, is that it may eventually be found to be along in the direction of the growing tip of collective consciousness. Preeminently the novelist's gift is that of access to the collective mind.

You have to beat out for yourself many mornings on the windy headlands the sense of the fact that you get the same rainbow in the cloud drift over Waban and the spray of your garden hose. And not necessarily then do you live up to it.

I suppose that Italy must always lie like some lovely sunken island at the bottom of all passionate dreams, from which at the flood it may arise; the air of it is charged with subtle essences of romance. One supposes Italy must be organized for the need of lovers.

The arc of my mind has an equal swing in all directions. I should say the same of your mind if I thought you would believe it. But we are so saturated with the notion that Time is a dimension accessible from one direction only, that you will at first probably be shocked by my saying that I can see truly as far in front of me as I can see exactly behind me.

In the common esteem, not only are the only good aboriginals dead ones, but all aboriginals are either sacred or contemptible according to the length of time they have been dead.

To underestimate one's thirst, to pass a given landmark to the right or left, to find a dry spring where one looked for running water - there is no help for any of these things.

All mountain streets have streams to thread them, or deep grooves where a stream might run. You would do well to avoid that range uncomforted by singing floods. You will find it forsaken of most things but beauty and madness and death and God.