No man can be stronger than his destiny.

Man is a great blunderer going about in the woods, and there is no other except the bear makes so much noise. ... The cunningest hunger is hunted in turn, and what he leaves of his kill is meat for some other. That is the economy of nature, but with it all there is not sufficient account taken of the works of man. There is no scavenger that eats tin cans, and no wild thing leaves a like disfigurement on the forest floor.

Over the tops of it, beginning to dusk under a young white moon, trailed a wavering ghost of smoke, and at the end of it I came upon the Pocket Hunter making a dry camp in the friendly scrub.

I suppose no man becomes a pocket hunter by first intention.

The utmost the American novelist can hope for, if he hopes at all to see his work included in the literature of his time, is that it may eventually be found to be along in the direction of the growing tip of collective consciousness. Preeminently the novelist's gift is that of access to the collective mind.

The manner of the country makes the usage of life there, and the land will not be lived in except in its own fashion.

Genius may be for an hour or a thousand years; its indispensable quality is continuity with the life-push.