There's something really sweet about the way he's playing the part and he's kind of irresistible in a way. They're both really lonely. That's kind of established from the very beginning in the movie. The way they meet is just classic, lonely losers.

I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.

I always wondered what people thought of it because it looked so stupid to me on the page and I loved the other finale so I thought it was going to be really stupid but some people really liked it.

I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.

We're dodging bullets and this is right after we've just seen [inaudible] shot and we're running and the woman who John accused of being out to kill us and everyone thought he was kidding. When we see her she appears and she's after us.

I'm just damseling mostly. I'm not very good with a gun.

I haven't read the comic book. I didn't even know there was one until about halfway though. Helen Mirren and I were talking about that actually, who also felt kind of silly. When we had to run she was like, 'Oh God, we're both going to get fired.' The running sequences, it's a particular kind of humiliation because it's fun.