I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
Mary-Louise ParkerI haven't read the comic book. I didn't even know there was one until about halfway though. Helen Mirren and I were talking about that actually, who also felt kind of silly. When we had to run she was like, 'Oh God, we're both going to get fired.' The running sequences, it's a particular kind of humiliation because it's fun.
Mary-Louise ParkerYeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
Mary-Louise ParkerWe're dodging bullets and this is right after we've just seen [inaudible] shot and we're running and the woman who John accused of being out to kill us and everyone thought he was kidding. When we see her she appears and she's after us.
Mary-Louise ParkerI thought the other ones were so obviously - what are we going to do if she burns down the house? The DEA, which I think was maybe the best one because she's wearing the jacket when she goes through the mirror and I think that was kind of amazing because you really weren't expecting that. There's something almost slapstick about this in a way that worried me. It was a little pratfalley with the golf club and the - but I think it probably cut together okay.
Mary-Louise ParkerUsually I'm trying to turn something around or turn it inside out and see what's underneath. I know that probably sounds incredibly vague but I never set out to be likeable or funny or anything like that. I'm just trying to tell the story in the best way that I can and serve the writer because it's really about the writer.
Mary-Louise Parker