You can carry a photograph with you on a thumb drive, and you can make it bigger or smaller - it's a very malleable form of mass production.

I wanted to make a site where I wasn't mailing physical things to people, but I was still giving people things, and I would have this relationship with that person, and if that person was interested in the object, they would have to email me and I would send that object digitally to them. So, I wanted the relationship with that person, however brief, and I wanted to spread the digital record of the things I have.

I think photography is a universal language as far as storytelling goes, and I think that's what it's most successful at.

I feel like most of the objects coming through the ports are pretty useless. It sort of speaks to this larger point of how much we're actually taking in versus how much we really need.

If everyone used the Internet to share the things they created themselves, what would that look like? I think it makes objects special again. I guess I'm not really advocating for no objects in the world, but rather the idea of creating within our present means.

The way that I rationalize making photographs is because you're countering what's offensively mass-produced with something that you just want more people to see.

You can carry a photograph with you on a thumb drive, and you can make it bigger or smaller - it's a very malleable form of mass production.