In verity we are the poor. This humanity we would claim for ourselves is the legacy, not only of the Enlightenment, but of the thousands and thousands of European peasants and poor townspeople who came here bringing their humanity and their sufferings with them. It is the absence of a stable upper class that is responsible for much of the vulgarity of the American scene. Should we blush before the visitor for this deficiency?

Illiteracy at the poverty level (mainly a matter of bad grammar) does not alarm me nearly as much as the illiteracy of the well-to-do.

The exile is a singular, whereas refugees tend to be thought of in the mass ... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.

The erotic element always present in fashion, the kiss of loving labor on the body, is now overtly expressed by language. Belts hug or clasp; necklines plunge; jerseys bind. The word exciting tingles everywhere.

The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has all too much a professional air.

In morals as in politics anarchy is not for the weak.

America is indeed a revelation, though not quite the one that was planned. Given a clean slate, man, it was hoped, would write the future. Instead, he has written his past.