love of truth, ordinary common truth recognizable to everyone, is the ruling passion of the novel.

I really tried, or so I thought, to avoid lying, but it seemed to me that they forced it on me by the difference in their vision of things, so that I was always transposing reality for them into something they could understand.

Every age has a keyhole to which its eye is pasted.

As subjects, we all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story. We cannot believe that it is finished, that we are 'finished,' even though we may say so; we expect another chapter, another installment, tomorrow or next week.

If one means by style the voice, the irreducible and always recognizable and alive thing, then of course style is really everything.

I'm afraid I'm not sufficiently inhibited about the things that other women are inhibited about for me. They feel that you've given away trade secrets.

To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.