Life for the European is a career; for the American it is a hazard.
Maybe any action becomes cowardly once you stop to reason about it.
This grossly advertised wonder [Venice], this gold idol with clay feet, this trompe-l'oeil, this painted deception, this cliche-what intelligent iconoclast could fail to experience a destructive impulse in her presence?
Every word she writes is a lie, including "and" and "the."
We are the hero of our own story.
The passion for fact in a raw state is a peculiarity of the novelist.