I think that in a general sense, the idea of getting comfortable with the truth in life is uncomfortable.

The Cylons are such a frightening concept - not knowing who is real. No way.

With BSG, sci-fi is the human experience taken beyond the envelope. When I first became involved with the project, I knew that I would be able to play a human being for many years, exploring and reflecting on issues that would impact people's lives.

It's phenomenally important to me that, if I'm going to be spending years on a project, I need to be interested in the whole thing. I'm not there to be on my own. And if I'm going to be with these people, I'd best be interested in their work.

We never know all the facts and the more we're mindful of how we deal with people, the more opportunity we have to evolve.

That moment was very important because it was political. That's what has to be done, so they struck a deal. She figures his is a well-thought-out motivation that she felt was worthy trade-off. The motivation here is survival, and she has to think like a leader.

Actors are part of a certain percentage of people on this planet who have an emotional vocabulary as a primary experience. It's as if their life is experienced emotionally and then that is translated intellectually or conceptually into the performance.