Don't we all die someday and someday comes all too soon? What will you do with your own wild, glorious chance at this thing we call life.

The poem in which the reader does not feel himself or herself a participant is a lecture, listened to from an uncomfortable chair, in a stuffy room, inside a building.

There is a notion that creative people are absent-minded, reckless, heedless of social customs and obligations. It is, hopefully, true for they are in another world altogether.

Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say “Look!” and laugh in astonishment, and bow their heads. (from “Mysteries, Yes”)

LITTLE DOGS RHAPSODY IN THE NIGHT (PERCY THREE) He puts his cheek against mine and makes small, expressive sounds. And when I'm awake, or awake enough he turns upside down, his four paws in the air and his eyes dark and fervent. Tell me you love me, he says. Tell me again. Could there be a sweeter arrangement? Over and over he gets to ask it. I get to tell.

I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think— no, you will realize— that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.

How heron comes It is a negligence of the mind not to notice how at dusk heron comes to the pond and stands there in his death robes, perfect servant of the system, hungry, his eyes full of attention, his wings pure light