It is no use thinking that writing of poems - the actual writing - can accommodate itself to a social setting, even the most sympathetic social setting of a workshop composed of friends. It cannot. The work improves there and often the will to work gets valuable nourishment and ideas. But, for good reasons, the poem requires of the writer not society or instruction, but a patch of profound and unbroken solitude.

Like Magellan, let us find our islands To die in, far from home, from anywhere Familiar. Let us risk the wildest places, Lest we go down in comfort, and despair.

There are things you can’t reach. But You can reach out to them, and all day long. The wind, the bird flying away. The idea of god. And it can keep you busy as anything else, and happier. I look; morning to night I am never done with looking. Looking I mean not just standing around, but standing around As though with your arms open.

maybe death isn't darkness, after all, but so much light wrapping itself around us--

And over one more set of hills, along the sea, the last roses have opened their factories of sweetness and are giving it back to the world. If I had another life I would want to spend it all on some unstinting happiness.

But I also say this: that light is an invitation to happiness, and that happiness, when it's done right, is a kind of holiness, palpable and redemptive.

But the owls themselves are not hard to find, silent and on the wing, with their ear tufts flat against their heads as they fly and their huge wings alternately gliding and flapping as they maneuver through the trees. Athena's owl of wisdom and Merlin's companion, Archimedes, were screech owls surely, not this bird with the glassy gaze, restless on the bough, nothing but blood on its mind.