The sweetness of dogs (fifteen) What do you say, Percy? I am thinking of sitting out on the sand to watch the moon rise. Full tonight. So we go and the moon rises, so beautiful it makes me shudder, makes me think about time and space, makes me take measure of myself: one iota pondering heaven. Thus we sit, I thinking how grateful I am for the moonโs perfect beauty and also, oh! How rich it is to love the world. Percy, meanwhile, leans against me and gazes up into my face. As though I were his perfect moon.
Mary Oliverit is a serious thing // just to be alive / on this fresh morning / in this broken world.
Mary OliverDo you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?
Mary OliverIn my own work, I usually revise through forty or fifty drafts of a poem before I begin to feel content with it.
Mary OliverSo come to the pond, or the river of your imagination, or the harbor of your longing, and put your lips to the world. And live your life.
Mary OliverThe end of life has its own nature, also worth our attention. I don't say this without reckoning in the sorrow, the worry, the many diminishments. But surely it is then that a person's character shines or glooms.
Mary OliverI consider myself kind of a reporter - one who uses words that are more like music and that have a choreography. I never think of myself as a poet; I just get up and write.
Mary OliverSo this is how you swim inward. So this is how you flow outwards. So this is how you pray.
Mary Oliver...Sometimes I dream that everything in the world is here, in my room, in a great closet, named and orderly, and I am here too, in front of it, hardly able to see for the flash and the brightness- and sometimes I am that madcap person clapping my hands and singing; and sometimes I am that quiet person down on my knees.
Mary OliverStill, what I want in my life is to be willing to be dazzled---to cast aside the weight of facts and maybe even to float a little above this difficult world.
Mary OliverLove, love, love, says Percy. And hurry as fast as you can along the shining beach, or the rubble, or the dust. Then, go to sleep. Give up your body heat, your beating heart. Then, trust.
Mary OliverWhen it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it is over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world.
Mary Oliver... to write well it is entirely necessary to read widely and deeply. Good poems are the best teachers.
Mary OliverMy work is the world. Here the sunflowers, there the hummingbird - equal seekers of sweetness. Here the quickening yeast; there the blue plums.
Mary OliverOn the beach, at dawn: Four small stones clearly Hugging each other. How many kinds of love Might there be in the world, And how many formations might they make And who am I ever To imagine I could know Such a marvelous business? When the sun broke It poured willingly its light Over the stones That did not move, not at all, Just as, to its always generous term, It shed its light on me, My own body that loves, Equally, to hug another body.
Mary OliverHow heron comes It is a negligence of the mind not to notice how at dusk heron comes to the pond and stands there in his death robes, perfect servant of the system, hungry, his eyes full of attention, his wings pure light
Mary OliverYou must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life.
Mary Oliver...whoever you are, not matter how lonely the world offers itself to your imagination, calls to you like the wild geese, harsh & exciting - over & over announcing your place in the family of things.
Mary OliverI love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.
Mary OliverYou can have the other words-chance, luck, coincidence, serendipity. I'll take grace. I don't know what it is exactly, but I'll take it.
Mary OliverYou are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me.
Mary OliverWhen the blackberries hang swollen in the woods, in the brambles nobody owns, I spend all day among the high branches, reaching my ripped arms, thinking of nothing, cramming the black honey of summer into my mouth; all day my body accepts what it is. In the dark creeks that run by there is this thick paw of my life darting among the black bells, the leaves; there is this happy tongue.
Mary OliverI thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary OliverA mind that is lively and inquiring, compassionate, curious, angry, full of music, full of feeling, is a mind full of possible poetry.
Mary OliverI want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will thinkโ no, you will realizeโ that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
Mary OliverIt is no use thinking that writing of poems - the actual writing - can accommodate itself to a social setting, even the most sympathetic social setting of a workshop composed of friends. It cannot. The work improves there and often the will to work gets valuable nourishment and ideas. But, for good reasons, the poem requires of the writer not society or instruction, but a patch of profound and unbroken solitude.
Mary OliverThere are things you canโt reach. But You can reach out to them, and all day long. The wind, the bird flying away. The idea of god. And it can keep you busy as anything else, and happier. I look; morning to night I am never done with looking. Looking I mean not just standing around, but standing around As though with your arms open.
Mary OliverBut I also say this: that light is an invitation to happiness, and that happiness, when it's done right, is a kind of holiness, palpable and redemptive.
Mary OliverAlong with the differences that abide in each of us, there is also in each of us a maverick, the darling stubborn one who won't listen, who insists, who chooses preference or the spirited guess over yardsticks or even history. I suspect this maverick is somewhat what the soul is, or at least that the soul lives close by and companionably with its agitating and inquiring force.
Mary Oliver