While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.)
Mary Pope OsborneAs an artist, I identify with Sandro Botticelli. We know him as the man who painted Primavera and The Birth Of Venus. The goddesses and ancient subjects he chose represented virtues which were meant to inspire people. Then he went through a dark phase when he was listening to the sermons of Savonarola, who preached against the worldly pleasures of the Renaissance. But Botticelli's works live on, inspiring people to this day. Five hundred years after his death, he still has thousands of fans!
Mary Pope OsborneIcons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.
Mary Pope OsborneIโm one of those very lucky people who absolutely love what they do for a living. There is no career better suited to my eccentricities, strengths, and passions than that of a childrenโs book author.
Mary Pope OsborneAs far as benefits to reading historical novels, there are several! For one thing, you learn about life in another era. Secondly, these novels help us to develop a deeper understanding of the legacy of women who came before us and the strides made by our ancestors.
Mary Pope Osborne