I studied with Sandy Meisner at the Neighborhood Playhouse. I was in the last class to study with him before he had his larynx removed, so I actually remember the sound of his voice. He was an incredible teacher.

Ain't no money like music money, because music money don't stop.

I wanted it to be a wonderful combination of being able to dance a little bit, not being especially good, but also playing a character who says the line, "I love to dance".

I loved working with Malcolm [McDowell]. He's been such an important person in my life. I mean, not just as someone I was married to, which is huge, and the father of my children, which is even bigger, but also as a friend and an inspiration and somebody who probably helped to fuel something that all my reading as a child had already started, which was a love of England and the world of the theater over there, which I became involved with through him and probably because of him.

I know this is kind of corny, but we thought about renewing our vows again because I think my mom would really love it if we did that in Arkansas, where I came from.

I love being in the business I'm in-I do love being a part of a group of people that work well together. I love it when there's a connection.

I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them. And I know they're rare for actors to get to do, and they're even more rare for women to get to do, so I really think I was drinking in the experience on so many levels.