I think women have made progress in cinematography, contrary to women directors, who I think have regressed. There are many more women cinematographers than when I started.

One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."

I think women have made progress in cinematography, contrary to women directors, who I think have regressed. There are many more women cinematographers than when I started.

Male crews know that women cinematographers are here to stay, and there will be more of us. If they're professionals, they behave as such.

Do a good job on a good film and you're on the map. Do a great job on a bad movie and not very many people will think of you.

At the beginning of my career, I shot a lot more documentaries because I liked the adventure, and probably also because it was easier, and still is easier, for women DPs to shoot documentary than it is to shoot fiction.

I always start a movie by being very firm and very hard and very, very serious, and then I can relax a little more once I've gained respect. That's part of the job - you have to earn the respect of your crew.