For the first ten years, Vladimir Putin was constructing his power structure, and now he's defending it. He's retrenching, mobilizing a shrinking constituency, constructing an enemy that's really scary. It's war. And when you look at the anti-gay campaign, it's a classic case of war rhetoric: demonstrating an immediate and extreme danger.
Masha GessenRussian law on banning nontraditional relationships basically says you cannot have any portrayal, neutral or positive, of homosexual relationships or nontraditional families, period. And you also cannot have negative portrayals of heterosexual relationships. So along the way, the law completely quashes any kind of public discussion on domestic violence. No discussion of relationships at all, unless you want to showcase a heterosexual love story, that preferably involves reproduction.
Masha GessenDonald Trump creates word salads. And that is awful to language, because we try to parse out what he's saying and try to find meaning in it. Journalists don't have a choice about reporting what the president says. I find the idea - "Let's not write about his tweets" - to be absolutely ridiculous. I mean, he's the president! Of course, we have to write about his tweets and look at what they mean. The problem is, they're hollow. But we don't have the option of ignoring what he's saying because he's president. That's damaging to language, and to journalism.
Masha GessenIt's not natural for people in the opposition to leave. It's always a personal catastrophe.
Masha GessenYou can't expect people who didn't exist as a community at all until about twenty years ago to have formed a political movement. This attack on the LGBT community was very shocking to the people who consider themselves to be activists. They're basically playing in the sandbox, and there's a tank coming! And what are they supposed to do - use the plastic shovel to push the tank back? But since the homosexual propaganda legislation, people have really stepped up, educated themselves politically, and grown by leaps and bounds.
Masha Gessen