The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.

Having a love ethic, as opposed to simply being in love, or having a lover, means love is the way you actively choose to engage with the world - whether you're in a relationship or not. It's not about disappearing into existing structures, norms, and privileges. It's precisely about breaking with the existing structures, values, and norms that prohibit real love in our culture.

I still have faith in people. But that is getting increasingly harder to maintain. I just don't see many people today choosing love. I see people passing it up a lot. Foreclosing on it, deferring it, sabotaging, letting go.

In the digital economy, everything is archived, catalogued, readily available, and yet nothing really endures.

We don't experience things collectively or cathartically anymore. Viewing has become an intensely private, fetishistic, compulsive process that happens separately from others, and that reflects not only our relation to cinema as a space of possibility, belief, and imagination. But more generally, of what could be, of readiness, which is what the movies have historically been about - the ability to act on things and change.

I'm a discursive thinker, so quotation has played an active role in the structure and content of my books from the beginning.

One of the liberating things about having a blog is the total vision it allows.