I think as actors we need to close read scripts and we need to fully understand the intricacies of dialogue as well as the symbolisms of what the actor wears and what they hold in their hand because that only adds more layers to the character.

Through my former experiences, writing poetry and learning other languages leading up to English I find ways to stitch words together that may seem a bit odd, but somehow, sometimes they do work.

Our nature as sensitive beings is far too complex to break apart, re-examine and reshape in a poem.

We stalk the truth as poets, sensualists, a duality, limited insanity. We labor in our muse, carving alphabets of experience into our hearts.

My mom makes this amazing little snack that, to this day, I still think about. It's pita bread wrapped with melted butter, feta cheese, and cucumbers. That, to me, is still heaven. It's my childhood.

That's the best part about being an actor though. One of the rewarding aspects of it is you're actually traveling in parts of the world that one wouldn't necessarily go to just because it's so far removed, but also like even beyond the metropolitan areas. You're in the woods.

I always feel vulnerable talking about the poetry aspect of my career because it's little diary entries that I need to sometimes close read, and to reveal that much, it's a bit nerve-racking.