People are appreciating the old stuff again and there's no MTV-style scene police to try to make us all listen to Machine Head and Pantera *puke*!

Basically every song on modern metal albums follows a formula and you get that formula in between one to three tracks.

I loathe most crossover music. Yet I like to think when it comes to Code it's something different.

I think there's a certain limit to the number of times you can raise hairs on the back of peoples' heads before it gets kind of saccharin.

You never leave a band like DHG. There's very few who are insane enough to be a part of something like that and you just can't take it out of you that easily!

Before the 90s, black metal wasn't a selling tool [and didn't] have money behind it. Then it became a pop sensation. Now that the record industry has collapsed and started to rot, things are livening up a bit again.

I like what's going on in Finland, with the rebirth of Beherit. I also like a band called Oranssi Pazuzu and a band called Spiderpact. There's a great scene there where they don't really care what's going on elsewhere and create music in their own vacuum.