I don't think it's "true" to sit and play old school heavy metal just so that you can send it to Fenriz or get a pat on the back from the guys you admire and hang out with.

Before the 90s, black metal wasn't a selling tool [and didn't] have money behind it. Then it became a pop sensation. Now that the record industry has collapsed and started to rot, things are livening up a bit again.

I don't think it's "true" to sit and play old school heavy metal just so that you can send it to Fenriz or get a pat on the back from the guys you admire and hang out with.

Most every album - and especially metal albums these days - are made in a way that you can grow tired of them very easily: They're made to be dissected and played on radio, released as singles or stuck on at parties.

I loathe most crossover music. Yet I like to think when it comes to Code it's something different.

I don't think there's anything remotely "new" or "experimental" about any modern metal bands.

When you're trying to free yourself from a religion that has been ingrained in you since childhood, it's more like ripping out your veins and tendons.