If anybody wanted to photograph my life, they'd get bored in a day.

I've been really lucky. I'll completely forget that I'm a celebrity. And then something will happen, and I'll go, 'Oh, right.'

If anybody wanted to photograph my life, they'd get bored in a day. 'Heres Matt at home learning his lines. Here's Matt researching in aisle six of his local library'. A few hours of that and they'd go home.

Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.

Still, the change is nearly indescribable - going from total obscurity to walking down a street in New York and having everybody turn and look; to feel the temperature of a room change when I walked in.

Oftentimes when I'm deciding to do a movie, the main thing is really, that I look at, is the director. I've come to feel that more and more. The more movies I've done and the older I've - the more experience I have, I always knew it was a director's medium, and I always said that.

We live in a world, it's very hard for Americans to understand that every 20 seconds a kid dies, a kid under the age of five, right, dies somewhere on the Earth because of lack of access to clean water and sanitation. Every 20 seconds that happens on our planet. It's just very hard for us to relate to.