The danger of course is always is caricature. The biggest challenge was to sound like Nelson Mandela. Everything else is easy to do, walk like him. He has a few ticks and things I noticed that I picked up. I didn't have any agenda, as it were, in playing the role other than to bring it as close to reality as I possibly could.

It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.

I think marrying somebody who's not a celebrity, it just takes a lot of the pressure off.

As a struggling actor, youre not looking for parts that define you; youre just looking for work.

And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.

Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.

Generally, the bigger the budget, the less interesting the characters become.