Oftentimes when I'm deciding to do a movie, the main thing is really, that I look at, is the director. I've come to feel that more and more. The more movies I've done and the older I've - the more experience I have, I always knew it was a director's medium, and I always said that.

Now that I have kids, I'm probably more overprotective than I've ever been. My wife's nickname for me is "red alert." I sometimes check just to see if the kids are breathing. But I try not to be a helicopter parent.

If anybody wanted to photograph my life, they'd get bored in a day. 'Heres Matt at home learning his lines. Here's Matt researching in aisle six of his local library'. A few hours of that and they'd go home.

The thing that I like about Germany is that Germans are so much like us. It's not like going to some other countries, where the differences are overwhelming and you walk around in a fog. Germans are so similar to Americans.

You will never solve poverty without solving water and sanitation.

Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.

I think marrying somebody who's not a celebrity, it just takes a lot of the pressure off.