I don't see as many movies as I used to. Or, I should say, as many movies as I would like to.

As somebody who makes his living in the movie business and wants to contribute to it, I think that the best chance I have of doing that is just consistently working with great directors.

I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.

Poverty feeds into the clean-water crisis, which contributes to hunger, and so on. There's undeniable interconnectivity among these issues. Just one of these problems can be deadly on its own, but in the most disadvantaged areas there is a perfect storm of problems. And it takes its greatest toll on children.

My parents divorced when I was young but I was brought up in two really loving households. I didn't have a contentious relationship with my mom or dad.

Our kids are growing up with more privilege than we had; that's true for most of my friends in L.A. I don't know any actor who grew up with any particular privilege, so everyone wrestles with this. And I think, a lot of times, it's about being patient with your kids.

And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.