Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.

It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.

The values that I have are the values I was raised with, from where I'm from, which is a middle-class place. So that informs everything about me, my politics and all that stuff. I mean, politically, I vote against my own self-interest at every election. I actively ask these people to raise my taxes.

I’ll play Pretty Pretty Princess with you if you just let me watch a little bit of March Madness.

Listen, here's the thing. If you can't spot the sucker in the first half hour at the table, then you ARE the sucker.

I fell in love with a civilian. Not an actress and not a famous actress at that. Because then the attention doesn't double - it grows exponentially. Because then suddenly everybody wants to be in your bedroom. But I don't really give them anything.

For a lot of actors, our biggest fear is that we're going to start talking about things we don't fully understand and sound like idiots.