People always think there's this huge hundred-foot-high barrier that separates doing good from doing bad. But there's not. There's nothing. There's not even a little anthill. You just take one baby step in any direction and you're already there. You've doing something awful. And your life is changed forever.
Matt de la PenaBut mostly I remember every morning before school. How she'd say "Hey, honey!" just I was walking out the apartment door. And me stopping and turning around and saying "What?" And her saying "I love you." And me rolling my eyes like I just wanted to hurry up so I didn't miss the bus. I'd start going again and she'd say "Hey, honey!" and I'd pretend I was so annoyed 'cause she was wasting time and I had to go catch the bus. And how secretly it was my favorite part of every day.
Matt de la PenaWhen you first quit your regular job and you become a full-time writer, you are paralyzed with free time. You have so much free time. When you are at home, you have a guitar. There's a cat. You got to find ways to create an environment when writing is like going to work. Be efficient with the hours you put into the book. So I go there the same time, every day - like 7:30 am - and I leave around 2 pm, or longer, if I have a deadline.
Matt de la PenaI think we all try to figure out ways to ignore the fact that life is about suffering. In the modern world, that's what we're surrounded with. We have all these little tools, such as phones and the Internet, to help us forget about suffering. Whenever you are tired, you don't have to really sit in the abyss of what it means to be alive. We always find ways to avoid it. When a ship sinks, you are sitting in it. There is no way to avoid.
Matt de la PenaI always thought books were just the canon, things I couldn't identify with. And then I was introduced to really amazing multicultural literature - it was all things I was trying to do unsuccessfully in my poetry. It really just changed everything. I was introduced to authors like Sandra Cisneros, Gabriel Garcรญa Mรกrquez, Junot Dรญaz, and a lot of African American literature, as well.
Matt de la PenaThe feeling it gave me was an odd combination of weightless self-pity and excitement. I understood my life was meaningless, and this knowledge freed me up to accomplish absolutely anything.
Matt de la PenaThe Color Purple really floored me. That book was just incredible because I loved the language. The biggest deal of that book was that I loved the poetry of broken English. Broken English and vernacular. It just floored me that you can actually capture the way people really talked. And I also really connected to the social class element.
Matt de la Pena