When I finish a book, I'll go to that file and look through them. And I'll say, these are three that really excite me and I want to do them next. You have the business part; of those three, is the publisher excited about one? Is the agent?
Matt de la PenaThe second book, which was probably more from a professional standpoint - when I read Junot Díaz's Drown, I was like, Oh my god, you can write these stories and people will actually read them beyond your own little community. This guy's book is blowing up and it seems like [he's writing about] the neighborhood that I grew up in. That was a big deal. I read that in graduate school, so that's when I was really taking writing seriously, but I didn't know you could do it. I didn't know you can actually be an author. It was a weird epiphany.
Matt de la PenaMy fear is you have to be careful as a writer to not get caught up in social media and blogging, because it can start to feed into your writing time. When you are writing a book, it's such a long journey where the payoff is way at the end, sometimes years away. The payoff of the blog post is today. You get the reinforcement, comments or "likes" immediately. It's appealing. You have to be patient with the book.
Matt de la PenaThe Color Purple really floored me. That book was just incredible because I loved the language. The biggest deal of that book was that I loved the poetry of broken English. Broken English and vernacular. It just floored me that you can actually capture the way people really talked. And I also really connected to the social class element.
Matt de la PenaThe whole guilt thing of not feeling Mexican enough was a big deal, too. On the one hand, you have your grandmother who is anointing you as a chosen one because you are light, but then you feel like you're less because you are lighter than your cousins, who are more down on the streets. You know? So that confusion was all I wrote about.
Matt de la Pena