I don't like movies where everything happens fast. I like the buildup, the obstacles, the mystery.

One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.

When I was twenty-two it was a lot harder to get hurt by women. It was easier for me to, you know, cheat on a girlfriend. I can't lie like that anymore.

As an actor, you can't be off the market for too long.

Racism was just a tool to deal with frustration and pain and that people are in denial about the way we feel and desperately trying to control their environment the way their lives are. And ultimately their scapegoats aren't going to make them feel better, it's just going to increase hatred and the problem gets worse and worse.

I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.

I like conflict, drama's conflict and if you don't have that in the character it's really not a worthwhile role to play for me.