I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.

[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free. ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union.

A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.

I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.

I think continuity is the devil. I think it's constricting and restrictive, I think it's alienating and off-putting, and it inflicts an artifact of linear time as we experience it on something that exists outside of linear time as well as keeps new readership away by keeping comics a matter of trivia and history rather than actual stories.

I am telling you now: I might be young, but I am good. I work hard, and I'm a good person. I know what's right. I know what's wrong. And if you give me this chance-- if you just give me one shot to show you how good I can be, how hard I work, how much I believe in doing the right thing -- I won't let you down. I promise.

Sexcastle is a perfect mix of homage and comedy, action and irony, loving tribute and hilarious send-up of the great, good, and ungodly-bad action movies of the '80s. I don't remember the last time a debut book hit me this hard. Literally, this book punched me in the face. It's THAT mean.