Writers that pretend to be in the throes of some kind of genius-demon, some kind of possessing spirit that refuses to let them engage with Normal Life are bullshit artists of the highest degree, looking to excuse their antisocial tendencies and bad manners away with a flourish of vocabulary and the semantic waving of hands.

We were pregnant at the time, and while I was out there I started to realize that if I had a daughter, there would come a day when I would have to apologize to her for my profession. I would have to apologize for the way it treats and speaks to women readers, and the way it treats its female characters.

I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.

Writers that pretend to be in the throes of some kind of genius-demon, some kind of possessing spirit that refuses to let them engage with Normal Life are bullshit artists of the highest degree, looking to excuse their antisocial tendencies and bad manners away with a flourish of vocabulary and the semantic waving of hands.

I think continuity is the devil. I think it's constricting and restrictive, I think it's alienating and off-putting, and it inflicts an artifact of linear time as we experience it on something that exists outside of linear time as well as keeps new readership away by keeping comics a matter of trivia and history rather than actual stories.

Kieron Gillen and Jamie McKelvie's The Wicked + The Divine is better than Young Avengers. Better than Phonogram. Better than Watchmen. Better than The Bible.

I am telling you now: I might be young, but I am good. I work hard, and I'm a good person. I know what's right. I know what's wrong. And if you give me this chance-- if you just give me one shot to show you how good I can be, how hard I work, how much I believe in doing the right thing -- I won't let you down. I promise.