I grew up in Boston, so it's a nice change to be cold after living in California.

Work to me has become kind of a hobby. I was a part of something that gave me financial independence and the rent is paid. Now it's just about projects that turn me on.

In comedy, you have to be unafraid to hang from the tree branch naked in the high wind and you have to be absolutely unafraid to look ridiculous and silly.

This whole acting thing was always just for me and was always an absolute shot in the dark. If it didn't pan out, I had my hammer and tool belt, banging nails again tomorrow if I had to.

Everyone in my family used to work with some kind of tool in their hands every day. That's what we do. That's what I did before I got into acting.

Is it better to strive for success as a self-representing artist or try to get your feet wet in the gallery world? That is such a common question these days among artists. I truly believe that most artists will come to a cross road where they will have to decide on which route to take as it's extremely hard to be successful in both worlds.

I don't like producing. It's a lot of meetings you sit through that amount to nothing.