I finally learned to love myself by dressing up as Geri Halliwell.

Comedians don't have a monopoly on suffering. But creative people are sometimes fortunate enough to be able to incorporate their most traumatic experiences into their art.

But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.

When I left school I was full of angst, like any teenager, and I channeled it all into comedy.

I am a bit of a daydreamer.

The most useful form of time travel would be to go back a year or two and rectify the mistakes we made.

It was very pleasurable and easy and it was nice to work with friends... people I already knew, people I didn't know but I now count as friends. There is a lot of hard work that goes into the movie but I can't claim to have been any part of that.