People joke about me that I talk in voiceovers. I have that sort of inflection. But I do talk in voiceovers. I have done it my whole life.

I have to say, as a showrunner, being niche-y is kind of a great thing.

I came to accept in myself a long time ago that I really do like writing articulate sociopaths.

A "showrunner" as a position is a relatively new thing. It used to be the executive producer. That's not true anymore. Now it's evolved into this model where people look to showrunners and say, that guy is that show. It's just become a lot more interesting to know the showrunner and to get a sense of that person.

One of the things that I have always been interested in is the actual experience of people in their lives as opposed to what we think their experience should be.

Obviously, everybody's favorite form of web content is more story with principal actors. But the economics of the web do not yet support.

I have always been drawn to characters, and this was true for my feature-writing career as well, where there is a tension between rule-breaking and rule-following.