I came to accept in myself a long time ago that I really do like writing articulate sociopaths.

The funny thing for me is, I have never lived in a network world.

Obviously, everybody's favorite form of web content is more story with principal actors. But the economics of the web do not yet support.

Spies have the same kinds of needs and desires that everybody does, which is funny. The best kind of comedy derives from that kind of truth.

People joke about me that I talk in voiceovers. I have that sort of inflection. But I do talk in voiceovers. I have done it my whole life.

I have to say, as a showrunner, being niche-y is kind of a great thing.

I think it's satisfying for people to feel that that relationship is reciprocal in some way. The truth is, you do have a relationship with your fans, and there is a feedback loop there. And while you have to be careful not to write a show just for the superfans, that kind of feedback is really valuable.