I think the fun thing about this franchise [Planet of Apes], as storytellers, is that a lot of the franchises are very black and white. This is all about the gray areas; it's really about the nature.

It's that we're experiencing emotion through photo-real apes, and that's really holding a mirror up to who we are. It's interesting, because as we're showing the movie now, we're getting a lot of response about things [people] think are very topical. And the intention is never to approach it from the outside-in, which is to say, "Ah, this is going on, let's draw that in."

Of course you're nervous, but we're really excited to be able to share what we're going to share. And it's cool, because what we're going to be doing, I think for fans especially, we think is really cool, because part of the process that most people don't ever get to see [is] that before these movies are movies starring photo-real apes, they're movies starring the image of Andy Serkis and the other actors, who are playing apes.

That was one of the key things - when you asked the story about the writing of the story - one of the things we wanted to make sure was that it grew out of.

There's a thing when you're always working on something you really love, and this one we loved so much, it feels like you have a secret, and you can't wait to let people in on the secret. But at the same time, there's that moment where, "What if they get the secret and they think the secret is stupid?!"

My main interest in being a director, and the most important thing to me, is that world with the actors.

One of the things I thought coming into the franchise, what I thought was a unique gift: you hear so much of these reboots, remakes, re-whatevers, and the thing about them is that a lot of them are retellings.