I quite like the transitions of being an actor, because you get to explore these little pockets of life. So if you're playing a builder you get to know about building, if you're playing a scientist or a physician or something you get to know about physics. And similarly with this world I like exploring their culture, that very sort of upper middle class, addictive... that's part of the reason I love it.

If I was making a tea advert, I would want to communicate about tea is that it can console you, it can start your day, there is the warmth and the ritual, and you can share it; you make someone a cup of tea and you offer it to them.

When I started Doctor Who Steven Moffat said, "That's it for the rest of your life." I'll be Doctor to a whole generation when they're 50.

The fact that you've got zombies in this movie allows you to make slightly bolder choices tonally.

History will only ever be partial, to a large extent history tells us what we think should be remembered and what should be forgotten, I find that really problematic.

Lyrical content is very important to me. I'm always trying to make sure the lyrics and music complement each other perfectly.

Now, the question of the hour is, "Who's got the Pandorica?" Answer: I do. Next question: Who's coming to take it from me? Come on! Look at me! No plan, no back-up, no weapons worth a damn! Oh, and something else, I don't have anything to lose! So, if you're sitting up there in your silly little spaceship with all your silly little guns, and you've got any plans on taking the Pandorica tonight, just remember who's standing in your way! Remember every black day I ever stopped you, and then, and then, do the smart thing: Let somebody else try first.