I think that, if the world was a bit more like Comic-Con, we'd all be a little happier.

One of the exciting things about producing a comic is seeing the artist stamp his own interpretation on it.

At university I had a big coloured scarf and people would often say, 'All right, Doctor Who?' And, I thought, I rather liked that notion.

My palette contains a warm and cool of each primary, plus four modifiers: Yellow Ochre, Burnt Sienna, Blue-Violet and Phthalo Yellow-Green just mix as I go for each painting.

There's something very intimate about taking someone's work, turning it over and unpicking it. In the same way people have unique handwriting people have a sewing style. You do start building a fantasy relationship with the person.

It's been four years. It's been the best four years. It's been wonderful, it's been a privilege to work under Steven Moffat. But I think when you gotta go, you gotta go It's sad, I'm going to miss it. I'm going to miss Comic-Con as well. It wasn't an easy decision, but I dunno, you can't play it forever. And, look, they'll get someone amazing and brilliant, and that's the great thing about the show. It continues, and it will get bigger and better. And you'll forget about me.

I got injured when I was a kid, and it prevented me from becoming a footballer.