"Confessional poetry" is another one of those labels. It goes in and out of fashion.

I do love the prose poem because it's such a perverse and provocative little box - always asking to be questioned, never giving a straight or definitive answer.

One of my favorite titles of an art piece is "Première Communion de Jeunes Filles Chlorotiques Par Un Temps De Neige" or "First Communion of Chlorotic Young Girls in Snowy Weather" by Alphonse Allais. It's essentially a joke of a title, since the accompanying image is a simple white square.

I think there are people who do write regionally, because that's their subject matter - the way the sunset looks over a strip mall, memories of flirting at the ice rink, waking up to a deer at the window... Up to now, that hasn't been mine.

Having my poems set to music by Eric Moe has completely knocked my socks off.

When I start writing a poem, I can usually know quite early on whether it's a lineated or prose poem, but I don't think I can explain how. It's like deciding whether to wear a skirt or a pair of pants.

I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.