I thought that perhaps if the sky was truly free of clouds and any other distractions (birds, kites, skywriting), we could see if there was something else out there. I wasn't really raised in any religion (in England I attended an Anglican school and went to a Methodist church, but I left that all behind at the age of eight when we moved to the U.S.), but like most people, I sometimes wonder if there's anything or anyone out there.

Erasures are interesting to me because they prove what particular sieves we all are.

When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.

I do have a tendency to invest inanimate objects with human qualities.

Read widely (in and outside of your own genre), keep a notebook with you at all times. Do something that scares you every now and then. Try to locate your own frequency, knowing that one year your voice is on AM 532 and the next it's on FM 92.8.

In my own writing, I've mostly abandoned end-rhyme, but wordplay is still a huge part of my process.

There isn't a grand plan at work in the progression of the books with respect to the line. I do want the books to be different from each other, certainly, but I'm more aware of that on the level of theme or structure. I can tell when I'm writing the last of a particular type of poem because the writing is too easy and I start to feel queasy.