I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view.

The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."

You know, girls in general are scarier than Voldemort.

I'm very self-conscious as an actor, with performances and things, and I don't like watching my own stuff.

I had a screen test and an audition for the role of Neville Longbottom. It wasn't a job at that point. It was just something I enjoyed doing. And it's hard to remember back then, really, that much. But I just remember loving it.

What I've found is that stage is very much a foundation of acting. It's where it all began and you're working with that repetition.

Leeds is quite laid-back.