I think David Yates was just like, "You've got on with it for a few years, I'm gonna let you off the hook." And also, I think it's because the action side of stuff that we were doing, it was going to be very difficult to do all that with all the prosthetics on. It was gonna be hard work, and I think they just said, "You know what?" I think they put a level of trust in me, as well. They said, "You know, we're gonna let Neville Longbottom lose the fat suit, lose the teeth, lose the Adolf Hitler hair."

Twitter is the limit of me putting myself out there.

There's not many people on the face of the earth that don't know Harry Potter is Daniel Radcliffe. He's had that since he was eleven years old, yet he hasn't changed since the day I met him.

I get recognized now and again, but the paparazzi aren't following me around.

There was never any point at which I was considering leaving Harry Potter. If I were to stop acting, it would have been after.

I think screenwriter Steve Kloves does such a difficult job. And he does a bloody brilliant job, too. Transferring these Harry Potter books into films and making them coherent is one thing. But making them entertaining, as well, is quite another... He does a tremendous job, and he gets a lot of stick. And it's really unfair sometimes, and I challenge anyone else to do the job he does.

At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.