I never set out to be rich and famous. I wanted to follow my own path.

For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.

Stanley didn't shy away from true humanity or from the ugliness that all people are capable of.

It was the baseball fantasy of a lifetime - to be able to sit on the bench with all those professional athletes. I got to take my son along because I wasn't sure I would be able to play with them.

We should all aspire in life to do a multitude of things well - to be a great father, to be a good husband, to be a good lover, you know, to try to do things the best you can is very important to me.

And if I was going to go there – the only person you can really compare Batman to, of those characters, would be Iron Man, another rich guy who has the ability to make fantastic toys – so if you want to take Batman and Iron Man and put them in a battle, that’s an interesting battle. But if you want to take Christian Bale and Robert Downey Jr. and put them in a UFC fighting cage, Christian Bale will – to quote Full Metal Jacket – tear Robert Downey Jr.’s head off and sh-t down his neck.

If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.