I find acting in contact lenses is bizarre to me, because there's just a giant filter between you and the world. I know it sounds painfully, ridiculously obvious, but it's true. You're just so detached.

I've suffered from an identity crisis my entire life. It's why I went into acting.

Generally speaking, I'm a jeans, T-shirt and boots man but I do own an Armani suit, which gets a regular outing. It's nothing fancy - just a classic, well-cut suit with clean lines and beautiful tailoring. It's timeless and you can mix and match it with anything to dress up or dress down.

I've aged. 'Patagonia' has robbed me of a decade of my life.

I definitely want to go back to the theatre. It is hard work, it is repetitive, but it is intensely rewarding.

I first went to the Chubut valley, the colony that runs about 800km across the width of Argentina, in 2000. My uncle had been there tracing family and came back saying I had to go. So a year later I did.

Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.