I definitely want to go back to the theatre. It is hard work, it is repetitive, but it is intensely rewarding.

Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.

I've aged. 'Patagonia' has robbed me of a decade of my life.

At home I can become lazy and if a Welsh word is really long, I just replace it with English.

Me and my friend Ioan Gruffudd are like chalk and cheese when it comes to clothes. He lives for his clothes and has an amazing wardrobe. If we're going out I'll turn up at his house and say, 'I haven't got anything to wear,' and he'll tut and sigh and then lend me something swanky.

I've done a number of projects where people go, 'This is your breakthrough role,' so I've stopped thinking that.

I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!