Miroslav Holub seems to expect his readers to act like scientists, who are curious in every direction, take nothing for granted, and are willing to accept any truth, however unexpected.

I don't know if anyone has ever mentioned this, we need to be careful with drugs! They're not just all fun and games! And of course poetry would be immeasurably worse without humor.

Somewhere back a whiskey or so ago I wrote that thinking was a real thing in the world, just like anything else. I mean that very literally, materially. And it's true about poems, too.

It's just interesting to me that the physical enactment of that mind moving has gradually changed for you in the last few years. It made me wonder if the change was deliberate in any sense, or procedural, like when A.R. Ammons stuck an adding machine roll into his typewriter to squeeze his verses into shorter lines.

It is absolutely vital to preserve a space where the mind, by means of poetic thinking, can move in a free, even anarchic, way. It must do so, in order to find deep truths that would not be otherwise available, ones that we desperately need. Anyone who writes poetry knows what I'm talking about, because they've had the experience of thinking this way.

Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me.