Sometimes artist like to catch themselves looking out, let the world see them for once. It's a signature. This one is a very bold one. But this is also a witnessing. We want to remember, and we want to be remembered. That's why we paint.

Why Paris? Paris needs no reason. Paris is its own reason.

I decided to deflect her attitude by giving a long, Southern answer. I come from people who know how to draw things out. Annoy a Southerner, and we will drain away the moments of your life with our slow, detailed replies until you are nothing but a husk of your former self and that much closer to death.

It was almost funny. Life seemed downright accidental in its brevity, and death a punch line to a lousy joke.

Boo: "Go talk to her." Callum: "About what?" Boo: "Anything." Callum: "You want me to walk up to her and say, 'Are you a ghost?'" Boo: "I do that." Callum: "I love it when you get it wrong.

These houses had been plunked down with an alarming randomness -- unevenly spaced, on crooked lines, like whoever had designed the place had said, "We'll just follow this cat, and wherever he sits down, we'll build something.

It took about three minutes for the unassuming Waffle House to become the new offices of the law firm of Amber, Amber, Amber, and Madison. They set up camp in a clump of booths in the corner opposite from us. A few of them gave me an "oh, good, you are still alive" nod, but for the most part, they had no interest in anyone else.