In another project I worked on just a few years ago, a staging of Peter and the Wolf, which I translated into Yiddish and sang on a stage in New York City. Thank God very few people knew I was doing it! But the kids in the audience loved it - even though it was all in Yiddish.

I thought that if I were going into old age I would want to do what [Giuseppe] Verdi did, which is to write extraordinary things, and to really find myself.

I think people should be given a test much like driver's tests as to whether they're capable of being parents! It's an art form. I talk a lot. And I think a lot. And I draw a lot. But never in a million years would I have been a parent. That's just work that's too hard.

When you hide another story in a story, that’s the story I am telling the children.

If there's any advice I have to give, I would say it's that. If you're looking for a way to get closer to your kids, there ain't no better way than to grab 'em and read. And if you put them in front of a computer or a TV, you are abandoning them. You are abandoning them because they are sitting on a couch or a floor and they may be hugging a dog, but they ain't hugging you.

Herman Melville said that artists have to take a dive and either you hit your head on a rock and you split your skull and you die … or that blow to the head is so inspiring that you come back and do the best work that you ever did. BUT you have to take the dive and you do not know what the results will be.

When Mozart is playing in my room, I am in conjunction with something I can't explain... I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart.